问题描述：
四世同堂的英文介绍,
问题解答：
我来补答
这是一部中国现代长篇小说名著,是老舍先生正面描写抗日战争,揭露控诉日本军国主义的残暴罪行,讴歌弘扬中国人民伟大爱国精神的不朽之作.
作品以祁家四世同堂的生活为主线,辅以小羊圈胡同各色人等的荣辱浮沉、生死存亡,真实地记述了北平沦陷后的畸形世态,形象地描摹了日寇铁蹄下广大平民的悲惨遭遇、心灵震撼和反抗斗争,刻画出一系列栩栩如生的艺术形象,史诗般地展现了第二次世界大战期间,中国人民与世界人民一道反法西斯的伟大历程及生活画卷,可歌可泣,气度恢弘,读来令人荡气回肠,是一部感人的现实主义杰作.
This is a Chinese modern novel famous work, is Mr. Lao She the
frontage description Sino-Japanese War, the exposition complains the
Japanese militarism the cruel crime, the eulogy brings honor to the
Chinese people great patriotic spirit immortal work.
The work take the Qi family four generations in one household life as
a master line, auxiliary by small sheepfold alley 各色人等 honor
or disgrace vicissitude, life and death, really recorded Peking to
fall to the enemy the after abnormal ways of the world, vividly
described under the Japanese invaders oppression of the people the
general common people's pitiful bitter experience, the mind has
shocked with the revolt struggle, portrayed a series of lifelike
artistic image, the epic poem has unfolded Second World War period,
the Chinese people and the world people together antifascist great
course and the life picture scroll, inspiring, bearing broad, read is
soul-stirring, was a touching realism masterpiece.
那个真不好意思,下面的部分太长了,只能粘英文的上来,原文的地址就放在参考资料里了.
By "Four generations in one household" the culture worries
--------------------------------------------------------------------------------
[ Author ] Dong Bingyue
"Four generations in one household" this nearly 900,000
characters novel, has provided the possibility take its rich
containing as the many kinds of angles research. This article attempts
from the cultural angle to cut into, through to the work culture
significance explanation, completes to the work re-evaluation.
One
Lao She creates "Four generations in one household" time has
the aware cultural consciousness. This is does not need to prove, so
long as looks in work about "culture" the discussion may understand.
The question lies in: Actually cultural consciousness center is in how
position in "Four generations in one household"? The author thought
that, The cultural question is "Four generations in one household"
core question. Concrete manifestation in: Aware cultural consciousness
not only is deciding in the novel in the very great degree the
character and the environment nature, moreover becomes Lao She to
ponder national and the national destiny starting point.
Looks at the novel character first. Studied in past Lao She, "Four
generations in one household" the center character mainly was from
national, national or the survival way angle knew. Some researchers
summarize "Four generations in one household" are "by the conquer
indignant history", [ i ] was - is enslaved the character as the
Chinese by the Japanese, does traitor's Chinese - to know. Some
researchers in Lao She took "the Beijing resident society's
performance and 批判者" elaborate, also concerns "Four generations
in one household" the center character [ ii ], the attention is
character's survival way, the living conditions and the social
position. These views certainly conform to character's actual
existence condition, but if entrusts with character's cultural
significance from Lao She to look, many characters then definitely
must take "the cultural role" (cultural 象征物) knew. Lao She on
own initiative circulate
the cultural consciousness in the character
image, while causes the culture to obtain the practical existence way,
also causes the novel character to become cultural the carrier.
Moreover, if character's country, the nationality, the residential
attribute are "the nature production", then, character's cultural
attribute then is Lao She "pursues sedulously".
According to the respective cultural shape difference, "Four
generations in one household" the center character may divide as the
cultural role into the following four kind of types. One is the
traditional culture role. Proclaims, the Chen out-of-bounds ball by Qi
Rui and is arrested front Qian Mo to recite typically. They are
surviving by the Chinese writer tradition life style, maintains the
Chinese writer to have the historicity, the stable psychological
condition, the disposition characteristic and ethics idea. Switzerland
proclaims the manner aloof from worldly affairs, the duty, has great
learning, but weak, is melancholy, atnational calamity
time, he has a mind
to serve one's country, constrained by the traditional ethics idea,
slowly has not gone out the family actually. The Chen out-of-bounds
ball is spiritless, the dispirited, acknowledged oneself "is simply a
woman", and attributes to directly this kind of personality flaw the
traditional culture. He said that, "Our culture or only can produce me
to follow the improper fellow like this, but cannot produce the strong
bosom intense real man! I am ashamed, at the same time I also worry
"(18th chapter) for ours culture. Is arrested front Qian Mo to recite,
then is putting on the long unlined close-fitting gown, like the
recluse equally idle home in, take reads poems, drinks wine, to grow
flowers as is happy. Two is the residential culture role (or calls
"metropolis culture role"). Take human and so on Qi old person, young
Cui, crown dawn Holland as most typical, on their body manifested the
Peking person overly courteous, has been weak, drifts along, seeks
after leads a life of comfort and so on the life habit (Lao She in
novel 25th, 26, 30 each chapter mentions this kind of habit many
times). The Qi old person facing helps an evildoer do evil, raises
which when goes the plainclothes back humbly smiles, Lao She said:
"Works as the culture is rotten, good over 70 year-old old men are
absolutely can to ' the plainclothes ' massive laughing, bows" (28th
chapter). This is obviously regards as the Qi old person the cultural
rotten product, rotten cultural embodiment
. On the young Cui face
suffered the greatly red package palm of the hand not to hit back, was
because "Peking has perished, Peking's Confucianism also had on the
young Cui body" (sixth chapter). Crown dawn Holland this looked
resembles "inserts funny dialog ' two clowns '" [ iii ] formula
character, also is molded in the very great degree as cultural
symbol delivery
. "One side works as a culture ripely to was pulpy, the
people will be numb the fright seize the soul the matter with to
stimulate place, but noted specially to the food and drink rubbish in
the small program comes up" (26th chapter). Crown dawn Holland in
eats, puts on, as soon as raises hand as soon as steps in on many to
be fastidious, is precisely "ripely to is pulpy" the Peking resident
culture product. Lao She said like this that, "He is a metropolis
culture roundworm, only can in that be hot smelly, in the stomach
looks for the nutrition and the life" (66th chapter), "in Peking's
culture, the bored talent can like a fish in water find all
applications the tool. Crown gentleman not only is the talent, also is
exactly the Peking people ". [ iv ] writes about crown dawn Holland to
modestly decline with an air of decorum is inviting when Switzerland
abundant eats meal, Lao She said: "He false extremely is sincere is
comes from Peking's culture" (26th chapter) □. \x18 $. \x0e\x08. Three is
the primitive cultural role (also may call it "farmer culture role" or
"loess culture role"). Take the farmer and the soldier which not too
is literate as representative, the Zhong stone, the golden three
masters also may incorporate into this row. Its characteristic has not
received how many educations, but plain, is tenacious. Lao She writes
about outside Beijing in the novel 61st chapter on soil is covered up these
impoverished, does not have the culture but to be good, simply, the
tenacious farmers, and the angle which proclaims from Switzerland
voices such opinions that, "This is the Chinese, the Chinese culture!"
To novel 82nd chapter, also has made such description from the Swiss
entire angle to onsoil is covered up farmer: "That billowing Huang Liu and is
smaller much the mountain village, is primitive as if, always has not managed after the manpower. But they also on therefore has one kind
of strength, is Peking no strength, closely and world continually in
"; "He also loves these foot pedals on loess farmer, they plough plant
the method are conservative, their education is nearly was equal to
the zero, their life is extremely difficult, but they are honest,
discrete, kindhearted, diligent and thrifty. ... ... Moreover when the
time comes, they dare the day to go all out - although their skin is a
black, their blood or but his hotter is redder than ". The fourth kind
of cultural role may be "front the cultural role", take blue Dongyang
as representative, because in Lao She looked like he "5000 culture has
nothing to do with with the Chinese nation", "throws over the human
skin, does not have the human nature.
作品以祁家四世同堂的生活为主线,辅以小羊圈胡同各色人等的荣辱浮沉、生死存亡,真实地记述了北平沦陷后的畸形世态,形象地描摹了日寇铁蹄下广大平民的悲惨遭遇、心灵震撼和反抗斗争,刻画出一系列栩栩如生的艺术形象,史诗般地展现了第二次世界大战期间,中国人民与世界人民一道反法西斯的伟大历程及生活画卷,可歌可泣,气度恢弘,读来令人荡气回肠,是一部感人的现实主义杰作.
This is a Chinese modern novel famous work, is Mr. Lao She the
frontage description Sino-Japanese War, the exposition complains the
Japanese militarism the cruel crime, the eulogy brings honor to the
Chinese people great patriotic spirit immortal work.
The work take the Qi family four generations in one household life as
a master line, auxiliary by small sheepfold alley 各色人等 honor
or disgrace vicissitude, life and death, really recorded Peking to
fall to the enemy the after abnormal ways of the world, vividly
described under the Japanese invaders oppression of the people the
general common people's pitiful bitter experience, the mind has
shocked with the revolt struggle, portrayed a series of lifelike
artistic image, the epic poem has unfolded Second World War period,
the Chinese people and the world people together antifascist great
course and the life picture scroll, inspiring, bearing broad, read is
soul-stirring, was a touching realism masterpiece.
那个真不好意思,下面的部分太长了,只能粘英文的上来,原文的地址就放在参考资料里了.
By "Four generations in one household" the culture worries
--------------------------------------------------------------------------------
[ Author ] Dong Bingyue
"Four generations in one household" this nearly 900,000
characters novel, has provided the possibility take its rich
containing as the many kinds of angles research. This article attempts
from the cultural angle to cut into, through to the work culture
significance explanation, completes to the work re-evaluation.
One
Lao She creates "Four generations in one household" time has
the aware cultural consciousness. This is does not need to prove, so
long as looks in work about "culture" the discussion may understand.
The question lies in: Actually cultural consciousness center is in how
position in "Four generations in one household"? The author thought
that, The cultural question is "Four generations in one household"
core question. Concrete manifestation in: Aware cultural consciousness
not only is deciding in the novel in the very great degree the
character and the environment nature, moreover becomes Lao She to
ponder national and the national destiny starting point.
Looks at the novel character first. Studied in past Lao She, "Four
generations in one household" the center character mainly was from
national, national or the survival way angle knew. Some researchers
summarize "Four generations in one household" are "by the conquer
indignant history", [ i ] was - is enslaved the character as the
Chinese by the Japanese, does traitor's Chinese - to know. Some
researchers in Lao She took "the Beijing resident society's
performance and 批判者" elaborate, also concerns "Four generations
in one household" the center character [ ii ], the attention is
character's survival way, the living conditions and the social
position. These views certainly conform to character's actual
existence condition, but if entrusts with character's cultural
significance from Lao She to look, many characters then definitely
must take "the cultural role" (cultural 象征物) knew. Lao She on
own initiative circulate
the cultural consciousness in the character
image, while causes the culture to obtain the practical existence way,
also causes the novel character to become cultural the carrier.
Moreover, if character's country, the nationality, the residential
attribute are "the nature production", then, character's cultural
attribute then is Lao She "pursues sedulously".
According to the respective cultural shape difference, "Four
generations in one household" the center character may divide as the
cultural role into the following four kind of types. One is the
traditional culture role. Proclaims, the Chen out-of-bounds ball by Qi
Rui and is arrested front Qian Mo to recite typically. They are
surviving by the Chinese writer tradition life style, maintains the
Chinese writer to have the historicity, the stable psychological
condition, the disposition characteristic and ethics idea. Switzerland
proclaims the manner aloof from worldly affairs, the duty, has great
learning, but weak, is melancholy, atnational calamity
time, he has a mind
to serve one's country, constrained by the traditional ethics idea,
slowly has not gone out the family actually. The Chen out-of-bounds
ball is spiritless, the dispirited, acknowledged oneself "is simply a
woman", and attributes to directly this kind of personality flaw the
traditional culture. He said that, "Our culture or only can produce me
to follow the improper fellow like this, but cannot produce the strong
bosom intense real man! I am ashamed, at the same time I also worry
"(18th chapter) for ours culture. Is arrested front Qian Mo to recite,
then is putting on the long unlined close-fitting gown, like the
recluse equally idle home in, take reads poems, drinks wine, to grow
flowers as is happy. Two is the residential culture role (or calls
"metropolis culture role"). Take human and so on Qi old person, young
Cui, crown dawn Holland as most typical, on their body manifested the
Peking person overly courteous, has been weak, drifts along, seeks
after leads a life of comfort and so on the life habit (Lao She in
novel 25th, 26, 30 each chapter mentions this kind of habit many
times). The Qi old person facing helps an evildoer do evil, raises
which when goes the plainclothes back humbly smiles, Lao She said:
"Works as the culture is rotten, good over 70 year-old old men are
absolutely can to ' the plainclothes ' massive laughing, bows" (28th
chapter). This is obviously regards as the Qi old person the cultural
rotten product, rotten cultural embodiment
. On the young Cui face
suffered the greatly red package palm of the hand not to hit back, was
because "Peking has perished, Peking's Confucianism also had on the
young Cui body" (sixth chapter). Crown dawn Holland this looked
resembles "inserts funny dialog ' two clowns '" [ iii ] formula
character, also is molded in the very great degree as cultural
symbol delivery
. "One side works as a culture ripely to was pulpy, the
people will be numb the fright seize the soul the matter with to
stimulate place, but noted specially to the food and drink rubbish in
the small program comes up" (26th chapter). Crown dawn Holland in
eats, puts on, as soon as raises hand as soon as steps in on many to
be fastidious, is precisely "ripely to is pulpy" the Peking resident
culture product. Lao She said like this that, "He is a metropolis
culture roundworm, only can in that be hot smelly, in the stomach
looks for the nutrition and the life" (66th chapter), "in Peking's
culture, the bored talent can like a fish in water find all
applications the tool. Crown gentleman not only is the talent, also is
exactly the Peking people ". [ iv ] writes about crown dawn Holland to
modestly decline with an air of decorum is inviting when Switzerland
abundant eats meal, Lao She said: "He false extremely is sincere is
comes from Peking's culture" (26th chapter) □. \x18 $. \x0e\x08. Three is
the primitive cultural role (also may call it "farmer culture role" or
"loess culture role"). Take the farmer and the soldier which not too
is literate as representative, the Zhong stone, the golden three
masters also may incorporate into this row. Its characteristic has not
received how many educations, but plain, is tenacious. Lao She writes
about outside Beijing in the novel 61st chapter on soil is covered up these
impoverished, does not have the culture but to be good, simply, the
tenacious farmers, and the angle which proclaims from Switzerland
voices such opinions that, "This is the Chinese, the Chinese culture!"
To novel 82nd chapter, also has made such description from the Swiss
entire angle to onsoil is covered up farmer: "That billowing Huang Liu and is
smaller much the mountain village, is primitive as if, always has not managed after the manpower. But they also on therefore has one kind
of strength, is Peking no strength, closely and world continually in
"; "He also loves these foot pedals on loess farmer, they plough plant
the method are conservative, their education is nearly was equal to
the zero, their life is extremely difficult, but they are honest,
discrete, kindhearted, diligent and thrifty. ... ... Moreover when the
time comes, they dare the day to go all out - although their skin is a
black, their blood or but his hotter is redder than ". The fourth kind
of cultural role may be "front the cultural role", take blue Dongyang
as representative, because in Lao She looked like he "5000 culture has
nothing to do with with the Chinese nation", "throws over the human
skin, does not have the human nature.
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